Exhibitions

View Shaft. Site specific installation at Suter Art Gallery, Nelson NZ.  2017

Creating a web of thread that veils the outlook from The Suter into Queen’s Gardens, Lee Woodman’s installation View Shaft creates a delicate lens that augments our vision and forces the viewer to engage with the artwork in order to contemplate the view.

Woodman has laboriously built layers of thread to create a detailed three dimensional maze. He seamlessly combines the mathematical precision needed to build this elaborate structure with the wistful nostalgia of childhood string games. The result, rather than being kitsch or ethereal, is instead architectural and resonant. – Sarah McClintock, Suter Art Gallery Curator

Yellow Yellow.  Parker Gallery, 22nd June – 13th July 2017

Yellow Yellow consisted of a site specific installation in thread and stone, some objects in thread and hemp, and a number of high resolution scans of yellow thread. The show was intended to be ‘visual vitamin C’ in our winter in Nelson.

Local newspaper article about YellowYellow

 

 

eternal summer.  Installation at Bridge Street Collective, 9th February – March 2016

eternal summeris a tribute to that which is soon to be dying, but remembered as always alive, growing, even blossoming. Tokens of summer are here gathered and treasured, while suspending belief that it withers and dries.
Memory is the over-arching impetus of eternal summer. Fond memories with romantic, summery glows, forever to stay that way, if we maintain them.
Flight is a secondary inspiration to eternal summer. Flight compels leaving, changing state, evolving. Nature has found the most effective way to fly I believe, and seed pod distribution displays a micro scale testament to that. The Sycamore seed reminds me of concept drawings by Leonardo Da Vinci depicting machines for human flight, while dandelion seeds command ubiquitous imagery as miniature parachutes sailing on any light breeze.
Death is the third tenant to eternal summer. Death exists only where there is life, and yet to some of us, death is considered the worst enemy of all. That would seem absurd if we openly witness our seasons. In this there is no eternal, change is the only constant. The summer’s heat cannot endure infinitely, it must give in to the following season and through this, death is initiated. Our experience of death evokes our memory, and in some cultures, flight is a consequence of death too.
Lee Woodman, February 2016

see time lapses of the threading

Heavy/light. Refinery ArtSpace Installation. October 5th – 20th, 2015

Heavy/light

Medium: Paper, Stone, Steel pipe, Thread.

Heavy/light is an installation using the materials; paper, stone, thread, and steel.

The orchestration of opposites in Heavy/light is about equivocation, tension, and balance.

Weight, mass, and the associated physics are apparent where the stones hang, yet each stone is carried by something light.  The stones evoke permanence and mass, while the paper is fragile and relatively temporary. The colour black represents mass, a dense heaviness.

The thread can also be thought of as light, an ephemeral delicate screen, such as a spider’s web.

‘Light’ in this installation also refers to lumens. The power of a candle or bulb. Here, light is used to create a separation. Together with the thread, the light suggests a barrier or screen to another dimension.

See a clip of the installation take down

String Theory. Salt Gallery, Nelson. 13th May – 30th June 2015

Ann Braunsteiner and Lee Woodman

Exhibition in our home town, with Ann Braunsteiner, courtesy of Red Gallery. My title is String Theory

 

The name for my installation Three Fold Cord is a nod to the biblical scripture from Ecclesiastes chapter 4 v 12; ‘And if a man prevail against one, two shall withstand him: a threefold cord is not easily broken’. Or in todays’ language; ‘in a tough situation, two is better than one no doubt, but three is even better’. There are many other quotes that promote the advantages of teamwork, like ‘Many hands make light work’.

It would be impossible for one thread to hold any of these rocks, but for multiple threads it becomes possible. Furthermore, it becomes apparent during construction that some threads do not contribute at all to the load but stay loose, yet the rock still hangs.

Three Fold Cord plays on physics and engineering, with some visual inspiration from sailing ship rigging. These thread installations aspire to respond to the given structure of the building.

My line drawings are experiments in repetition, finding differences between straight lines and converging lines. All hand drawn in pencil, the works are meditations on different ideas and compositions.

The scans of Tangled Up are the opposite; documented moments of randomness never to be repeated. This tangle of thread is a re-use of thread from previous practice installations.

String theory for me relates to both the structured and the chaotic. Some parts are rational, comprehensible, and other parts are random, and hard to quantify. Both are needed for any form of unification theory such as String theory.

Lee Woodman 2015

 watch a teaser clip of the take down of Three Fold Cord

Meditation in Red. Installation for Canopy Design in Lucas House, Nelson. 2014

watch a time lapse of the install

Meditations on Hundertwasser. Bridge St Collective, May 2014

Paper, Rock. Art in Windows, Nelson NZ. October 2013

Impressions Art Awards October 2013

Meditation on Hundertwasser’s ‘ungodly’ straight line #2 won ‘Best Artist from Top of the South’

AnnCT, Larisse Hall, Lee Woodman. Refinery Artspace, Nelson. May 2013

New Members Exhibition. April 2013

AnnCT Braunsteiner, Lee Woodman. McKee Gallery, Nelson NZ. January 2013

Final year exhibition, Victoria University. November 2012